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September 28, 2005

academic vs. commercial publishing outlets

There's a lot of action in the blogosphere about ex-DEA agent Paul Doyle's book deal with a university press. The gist is, the book didn't do well because of lack of marketing, and he made very little money. Authors who blog are saying he is at fault because he didn't hire a lawyer to read the contract.

Excuse me, but that's really beside the point. The guy wrote a book and submitted it on his own to a University Press. University presses do most of their work with professors and researchers. I know a lot of university professors, as I was one for twelve years, and I published a lot when I was one of them, so a few facts:

1. University professors and researchers almost never have agents or other representation. They work directly with a university press editor. Because...

2. Advances are minimal, or non-existant. Because...

3. The idea is not to make money off of academic work (although nobody would object -- they just don't expect it to happen) but to disseminate the work. Because...

4. Publishing is crucial to an academic career. When they are talking to a University Press about a new book, academics are most concerned about the prominence of the press. Academics live off their salaries (or try to) and not off of royalties. Marketing and other such real-world issues are secondary or non existant. An agent would raise those questions, but agents don't come into this situation because...

5. Agents only make money if the author makes money. Which isn't the case with a University Press.

So Paul Doyle's error wasn't his failure to consult a lawyer about a contract with a university press. If he had, he would have paid the lawyer a lot of money and then taken a list of demands to the press. And what then? The press passes. Because there are thousands of academics with books out there and they need to publish to keep their jobs and their salaries.

Edited to add: talking here about academic work, not textbooks. textbooks = proverbial different kettle of fish.

Paul Doyle did make some big mistakes:

1. He wrote a commercial book and took it to a University Press. The University Press was probably thrilled. A chance for real sales! Of course they weren't prepared to treat it like a commercial book; that's not what they do.

2. He did this without an agent. An agent would have submitted to commercial presses. If that agent got him an offer, and if that agent was good, he or she would have gone over the contract carefully and negotiated with the publisher. That's what a good agent does: first she sells the book, then she makes sure you get the best deal possible.

Really, it makes no sense to try to villanize the University Press. If you order organic sprouts and tofu on whole wheat bread, you can't complain that it's not the steak with bernaise sauce you would rather have had.

audiobook drawing: a change in direction

There have been a lot of problems with people signing up for the audiobook drawing, and so I think I have to scrap the current approach and come up with something new.

I apologize for the confusion and difficulties.

I've thought about a more traditional way of doing this: sending in a postcard. Given the fact that this is about five hundred bucks worth of audiobooks, I'm thinking people might be willing to go this route. On the other hand, computer-savvy folks might resist having to put pen to paper and find a stamp and mailbox.

So what do you think? Postcard, or some other approach? I'm open to suggestions.

oh, and: hollywood's take on academic publishing

Something that is guaranteed to make any academic convulse with laughter: the way Hollywood (usually) portrays professors who publish. A case in point:
The Mirror Has Two Faces. This is a really terrible movie. It's also unintentionally funny in many places. For example, a mathematician has a new book coming out. There is a release party with lots of food. The book is held up to the adoring crowd. It is a thick book with a dust cover, and there's a full color photo of the mathematician author on the back.

Problems:

1. Mathematicians mostly publish articles, and rarely whole books.
2. They are concise creatures. My husband's PhD thesis was 35 pages long, mostly equations.
3. I've never seen a dust cover on an academic treatise.
4. On the rare occasion you see any kind of dust cover on an academic book, you will not find a photo of the author. No photo at all, and certainly not a full color glamor shot on the back.
5. Book release party? Snort.
6. Food presented elegantly on linen covered tables at an academic book release party? Giggle.

I read somewhere that Barbra Streisand has always regretted not going to college and made this movie to make up for that lack. So really, this movie is her fantasy about college. The real thing would be a disappointment to her.

As an antidote to the awful Two Faced Mirror, try Wonder Boys. Great movie by people who know something about academics, universities, writers and neurosis.